The Myth of Museum Neutrality or Business over Education?
/Another take on why museums are not neutral.
Read MoreAnother take on why museums are not neutral.
Read MoreIn our productivity-obsessed culture claiming your own space, rituals, time and intentionally slowing down feels like an act of resistance.
Read MoreIn several interviews I ask curators, academics, artists and other friends and colleagues from the creative field on their thoughts about what success in the arts looks like for them. It is part of my long-term project "Art as Labor".
Read MoreThis is sort of an continuation of the thoughts I've shared in my previous article on Art as Labor. In this piece I talk about creative business models and their policies, sacrification and unpaid work.
Read MoreBefore I ever wrote a piece, I was a vivid reader for many years. Books were the castles of my imagination.
Read MoreIn several interviews I ask curators, academics, artists and other friends and colleagues from the creative field on their thoughts about what success in the arts looks like for them. It is part of my long-term project "Art as Labor".
Read MoreI guess, we all agree that it's not just about celebrating one day or month but to actually make every day of the year count. Nevertheless, I really like the thought of giving a month a topic and am joining the celebration of women's history month with a few thoughts here.
Read MoreThe art world is not an abstract place, it is shaped through human experiences and connections. Neutrality does not exist in our experiences and is a concept we can just find in textbooks, life is much more complex and fascinating.
Read MoreDigital Life Design (DLD) is a global conference network, organized by the Munich based DLD Media, a company of the German publishing house Burda Digital. DLD acts as a platform for an exchange of future visions and experiences, driven by the mission to create a network of innovation, digital prospects, science and culture.
Read MoreLast year I started with the interview series on what success looks like to arts professionals and people working in the creative industry. It is an attempt to redefine what success is and find personal attempts to define a sustainable definition of creative work.
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Anabel Roque Rodríguez is a curator, writer and art historian based in Switzerland and Germany, but open to travel to other areas. She is interested in the relation of art to the public and site specific conditions. She works within the realm of contemporary art with strong roots in its historic past. To understand an development, one has to situate it retrospective. Her focus includes political art, the artist as activist, art as labor, feminism, photography and the art market.
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© Anabel Roque Rodríguez 2021
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